Author Archives


Forging onward!

A little over a year ago, I suddenly had an idea for a Dungeons & Dragons play.  It hit me like a 20 sided die to the eyeball.  It was delightfully weird and not what I’d have normally thought of doing.  I posted about it and the response was immediate, […]

Theatre Seen a look back at 2016

I am grateful that I’ve been able to see as much theatre as I have this year – 39 shows! The San Francisco Bay Area is an amazing place to be for theatre. For every show I saw there were five I wasn’t able to make it to see. There were some shows I saw this year that particularly landed with me and have made lasting impressions. So as a look-back, here are my highlights.

2016 in Review

Every year at this time I think “my god that was a crazy busy year, next year will be so much lighter,” and since it’s an annual thought, that means it’s never actually a lighter year. This year was one of the busiest I’ve ever had. It was a blessing of projects and artistic challenges. Whether I was out of my comfort zone performing for the first time in 30 years or accepting a leadership role in an established theatre company or more familiar ground with directing staged readings for ReproRights and PCSF, the year has been full of intense experiences and a lot of laughter and delight with new creative relationships around every corner.

Theatre Seen

Because as much as I have going on with creative projects, it’s not all about me, so I’ve been seeing a lot of theatre lately.  Most recently, Fences at CalShakes which was achingly well performed, Hurt Village at Ubuntu Theatre Project which was powerful and fresh, and Emmett & Ava […]

ReproRights! Twitterviews Meet the Writers

Don’t miss the Twitter Interviews with ReproRights writers.  So far, Madeline Puccioni, Maggie Wilson, and myself.  Coming up Nicole Joost, Lorraine Midanik, Pamela Winfrey, and more.  One of the things I love about ReproRights! The Body Politic is the different stories and voices included.  The 8/25 show is sold out […]

The Mountain Top

For me, right now, the bottom line is ultimately that after I left the theatre and safely made it to my car, where I could be alone and relatively unobserved, I sobbed. Ugly crying, sobs.